pure freshness on grand petrol by a mysterious producer ... >let me introduce you to the two sides of heroin<. straight movin clicks n cuts techno with mindcreeping crispy beats and some real addicted female vocals. hit!

excellent adultnapper remix !! straight from the land of the ice and snow (reykjavik, iceland) comes the debut of sean danke and sheizer goodman, an electro-techhouse stormer that will hit your scull viking style. new york veteran ulysses (my best friend, scatalogics) takes us on a trip down memory lane.

after his productions for labels like dial, num, traum, ladomat or liebe*detail denis karimani aka remute surprises the audience again with another unconventional masterpiece. between the essence of minimal and the deepness of detroit, >realtime island< can be regarded as the first smallville superhit. a detroitish chord sequence rises slowly up to explode but keeps its deep secret. karimani s best friend and ravemate ndru (liebe*detail, perspectiv) translates the unique musical language of the original into minimal- his remix got the kind of hypnotic bassline you might miss in the minimal world so often.. the 12inch ends with a classical karimani pumping deeptechno tune straight in your feet... played by anja schneider, mike shannon...

following succesful releases on robsoul and black crack, canada s loopity goofs bring the heat to the greenhouse on this solid three track ep. already seeing solid support from dj mark farina and the likes the diversity on this ep will keep it in the box for months to come. >gotta move it< is a straight up bleepy jacker with some nice vocal elements thrown on top. >shake it up< is the funky head nodder with it s rhodes vibe and sub bass. and rounding it off is >this time< with it s dark funk, live sax and shuffling beats

apendics.shuffle - one of the most occupied u.s. producers for minimal techno these days comes up with his 2nd release on mos ferry prod. >the sammy baker davis junior e.p.< is filled with 3 tracks on a 12<, all of them more or less straight but none of them is missing the shuffle factor. b1 has a very nice and a little bit freaky bassline...

we are pleased to introduce steal vybe music to the syntax stable of labels. headed up by chris forman the first release out the gate is straight out of his box featuring the sultry vocals of miss patty. you ll know miss patty from her releases with mr v and louie vega on both sole channel and vega records. jump & shout delivers the goods with a straight ahead hip house banger that keeps right with the sounds coming out of nyc at the moment. this 12 features 3 hot mixes for your late night pleasure, they ll all do the damage. be on the lookout as well for the new label from steal vybe, sub grooves, coming soon with some underground tracky numbers ala, ibadan/dennis ferrer. dont sleep on the vybe

after featuring on the work of the cream of dancefloor jazz, broken beats and house music for 4 years or more, lyricl has two singles out, two lyricl singles. well it was about time. he wants to know is a mid tempo broken jazz produced by rms. it whacks the floor with sub bass and jacking brokenbeats, and ls rhymes are as tight as she sits on the riddim nice. a chorus reminiscent of a bb boogie ting completes a hard hitting heavyweight of a tune. knowing lyric ls straight up house music prowess (a la doot dude) phil asher turns in a restless soul mix that transforms ooh u & i into a tough but classy beat & bass driven jackin house workout. a dub completes a top package, a package which shows that loose lips are just one of lyricls many assets

played by the dahlbäcks, zoo brazil, c. lekebusch… >couldn t care less<: squelching synths and a ruckus beat that jacks you like a wack on the head pulse through the electryfied bodies until they glide in to an epic, spacious breakdown with sunset synths – and thrown straight back into the twitching beats that complement the fanfares of wild burping basses that push you over the edge. >jattedansen<: if you prefer to happily shuffle on the mad side of things, opt for the chugging, squelching nip-and-tuck of >chunky little thing< that grooves in stop-and-go fashion straight into those hotstepping dancing feet. organ stabs and squeaky, choppy synths make this a mind bending slow burner that grooves without mercy

at the latest since that lovely cover of german de:bug, our housi is no insider tip anymore, and it s obvious that the guy has to get out on this world s stages with his live show to hump the floors out there. this housemeister, who is he? a never ending, bubbling creative well, making his musical way straight and genuine, special and: his own. he has just released his album >enlarge your dose< on boysnoize records, it seems like someone build in a preprogrammed >producer mashine<, always letting him know exactly what s next. on just one ep, probably nobody ever before used up all of music history in such a fun way -while that wants to be achieved in the first place, maintaining your own style.aycb 05 is like a look book of the most exciting genres of the last 3 decades. who has not witnessed those days should go get this ep fot that exact reason. there s a lot to learn, talk about genre hopping in modern times. double rating and the golden schizo award goes to aycb05

funked up reggae soundsystem flavoured breakz

side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. b1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot. b2 closes the ep with a big laid back bass and chubby drums provide the foundation for smoky pads, nostalgic keys and a hook you ll be whistling for days

groovy hard electro/ electro break & uplifting techfunk! b/w offers digital darkness, grinding basslines and an electronic atmosphere aiming straight into the brain of the advenaced dancers

follow up release from the label that brought you troydons patterns in static ep. crisp, straight ahead jacked up funky house with a tech edge from this sydney group support from dj mes, the sound republic, raoul belmans, justin long, and many more

poker flat labelhead steve bug returns with a new 12inch, >wet n dry<. >wet< on the a-side kicks off with a punchy kick n shakers and a dark chord which sneaks up from behind and slowly makes your feet move, before the irresistably groovy bassline comes in and paves the way for a slow rising climax. very nice fresh n funky synths take the lead after the break. >dry< on the flip spreads a darker atmosphere with straight up textured cuts and acid reduced elements. synth stabs, a dry bassline and a manic melody sequence characterise the track and start to erupt after the middlepart and tighten the tension

rmx by audion (matthew dear), fresh from mixing the third installment in the >body language< series, uk dj/producer in berlin jesse rose puts out his debut ep for get physical and he opens his account with a timeless house track. >didn t i< is a seductive, dubby piece of music with a niggling vocal sample and warm, jazzy chords. as the sun rises over scenes of decadence in the panorama bar at jesse s monthly residency there, this is the musical soundtrack that will give the weary party goers some relief. jesse goes in a more daring direction for his own >made to play< remix. it starts to the sound of an orchestra tuning up, retains the vocal sample and makes the jazzy hooks more tripped out. rose s shuffling, twitching rhythms are a welcome relief for any dj who is sick of having to stick to straight 4/4 tracks all night. on the flipside matthew dear delivers a remix of >didn t i< in his audion guise.

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

audio chemistry with b boy energy studio r is at it again. after their first single clapz, which was a twisted peace of electro hop with some loony ass rhymes courtesy of canadian expert mocky including great remixes by trickski and leroy & darnell, studio r return with their second single a+r.this time on the vocal tip, it is san franciso based capitol a, known for collaborations with king britt, jazzanova or ben mono to name just a few. fresh remix material comes from f communications artist llorca, composts own ben mono and disco funkster dj friction straight outta benztown.

three tracks that look straight to the dancefloor and shout out loud: fight for your right to party! pablo clearly reveals that he is up to pushing grooves, provocative tunes and approves the more functional gangue of karmarouge noir. pablo akaros distances himself from contemporary explicit minimal techno by adding some real dirdy sound elements always well touched with a pinch of vodoo. the a-side track >konnekt köln< is an euphoric rave track wich is characterized by a sophisticated sound architecture of lovingly selected rough and disturbing elements. hands up. >pestana pegada< on the flip side is dark but funky

brand new kurbel talent tis brings us extremely straight forward electro tunes !! tis aka christian schmidt from hamburg is known from releases on psychoshoxxs & electric movement !!

another made to play release already? what’s going on? well you know when we get the tracks they must go straight out, no three months promotion lead up here. so here it is another piece of vinyl that you will ether love or not. it’s stupid… just the way we like it. made to play @ panoramabar, berlin – monthly session starts 11th november with jesse rose, chris duckenfield and rob mello

jazzy and funk filled with short repetitive loops, spiced with kinda oldschool feeling and straight kickin rhythms

crunchy beats, straight lines and likewise straight messages, distinguish these tracks, produced by bee low !! incl remix by ron flatter & groove rebels.. supported by claude von stroke, fergie, trevor jackson and trick & kubic

crash/ almost crasch, is an acid-flavoured minimal groover for fans of minus and loco dice however in a very own style.the sg-remix and the original are stripped-down but raw pieces full of sparkling sounds based on a straight beat that makes this track a perfect tool and a peaktime - anthem at the same time! the dadableep portion adds a little bit of german flavour and takes the track more into the tech-house-corner... straight but funky.

following up the massive debut of lets pet puppies, marcus mixx returns with a two tracker of straight up classic chicago dancefloor mayhem. t.a.p. is nasty. you thought you were nasty? sorry charlie, nasty s over here. marcus drops the vocal on this track thats either a precursor or the end point for ghetto tech, and most likely simply in a class by itself. psychousic is somewhere in between classic robert armani / armando, and the best of the early relief stuff. can you say beat track? if your floor doesnt jack to this, you need a new one.

the beginerz drop a very dark, electro mover for those gritty 4am moments in the form of no way a swift move away from there well rounded, pumpping funky house sound but still very good and will appeal to all you house djs outhere. bounce however is a classic beginerz tune that will be straight into your sets

the seminal princess superstar returns with her new slamming electro-house project djs are not rockstars! while her albums on k7 merged hiphop with electro, the new outfit with alexander technique is based on exhilarating dj sets and delivers straight to the electro floors. here comes their first original release >v.i.p.< a heavy rocking dope song in four different versions

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

tube & berger are two charming guys from western german town dusseldorf who caused a massive stir in worldwide s clubland with releasing >geradeaus< (engl. >straight ahead<) on ministry of sound in 2003. after having made several remixes for projects like >tocadisco<, >sonique< and germany s electropop cult band >2raumwohnung< marko and arndt are now about to bring out their next single after having enjoyed an extended creative break..

after his successful release on pakkas levyt, samuli brings us another highly slamming techno ep. forget trance, never mind house, this is techno in it s most funky form . marko laine remix is more straight forward, with an old school attitude

the synkope ep ushers in a new sound for mathias, one that is more full and less percussive than before yet also one that will not leave previous fans in the dark. taking his cue from his keen knowledge of the worlds dance floors, kaden translates this awareness straight on to vinyl without losing sight of todays complex sequences and sound structures. with the flood of faceless releases that threaten to sink even the most discerning record buyer theses days. there is a growing sense of urgency to make records that will remain classic and listenable even 10 years into the future. if you dont mind us saying we think this might just be one

after his release on silver network mr. jackson steps into the more electrified fields of house on jef k s crack and speed imprint. a dirty, rancid straight in your face production - not for the faint hearted, but works like a banana when you re hungry. a side is a sureshot reminding on suburban knight s art of stalking

with his >auftrieb ep< on karmarouge alex roland delivers an easy-going debut release that is straight and right down to the last detail but nevertheless oblique produced. he places value on deep pumping basslines, delighted grooves and well flavoured atmospheric and active-minded sound scapes to present us his definition of deliciously balanced minimal techno tunes. a lovely piece of music that touches the heart, shakes the rump and carries gleams of love and haven into people s heart and onto the club s dance floors...

ya bitch, holds tough beats straight from the start before heading into a jumpin breaks groover with smart lyrics and smooth basslines. groove diggaz present dirty dawn on the flip which is quite literally the muttz nutz

jochen trappe is back on the map and his message is clear, the summer is over, its time to go nasty !! jochen features three completely freaked out tunes somewhere between techno, electro and nut techhouse - sphistically arranged and straight into your face

chris duckenfield on remix duties here for a funked up deep grooving vocalhouse gem a must have

after the much applauded first release >jon< by henrik schwarz the second label-boss sasse continues with the soul-searching. under his klas lindblad guise he experiments with various rhythmic structures from downbeat, to broken to straight 4/4 and combines them with hypnotizing, sweet melodies...

massive phreaky electro cuts !!

already being played on pete tongs essential selection, >dont be shy< - kicks straight off with the >original< mix, an addictive, twangy disco anthem, loaded with flirtatious rhythms and hot-under-the- collar sexy grooves.. incl remixes by tugg, speakerjunk and george deimure

one listen to ‘atlantis to interzone’ and the several miles of dots between post punk psychedelic pop and pill popping dance music are quickly joined, where screaming sirens and samples straight out of a field in ‘89 give way to the punked out half-falsetto, half melodic breakneck vocals and drums. klaxons (that s jamie, simon and james) created a chorus that can be both screamed drunkenly and sung quietly to yourself on the bus. this anthem (of the year?) is offered with remixed version by our extra-skills duo digitalism, alongside an extra long industrial technoid mix by nightmoves and a ‘break for love’ mix by dave p and sparkles’

stephen brown kicks-off the subject detroit global series with 2 detroit influenced songs straight outta scotland

iiwii launches its long awaited new limited edition 10 series called the >gallery series<. this series will focus more on downbeat, leftfield and house genres. first up is a four tracker from dante and dhula, two members from iiwii recording group cobblestone jazz. the first track from this release, a modern electronic dub excursion, >why do the wicked ones rule?< has already found its way into the charts of straight no chaser courtesy of gilles peterson, and gotten play on his worldwide radio show on bbc !!

rekleiner (maschine, connaisseur superior) is the collaboration between stuart geddes, anthony middleton & luca saporito. all three of them play an important part in the uk/ london underground club scene.. on this release, they deliver two trancey tracks of warehouse vibes. >shall we< is a straight, and fine track, mixing melodious blips and powerful beats. with >sideways<, starting with a heavy bass sound, rekleiner manages to turn a deep dark sound into a luminous flight !!

smooth carl finlow house tracks with a electro feel. probably one of his most floor orientated releases in a while. can be compared with his massive il.ek.tro release on klang but more straight forward. this even reminds us of the classic o

well, well, well… d.classics returns again to spread the funky good news… whatever you want to call funky: sometime pure funk, sometime heavy soul, sometime discofied, sometime electro-ish, even sometime 80s… but sure its funky ! so here we are, on a journey proposed by non-else than parisian sensation dj almost. after years (and we mean yearsss) of heavy activism behind the wheels of steel, almost agreed to share with the world some of his own heaviest re-edits. a side, get straight to the core of two of his 80s fave, stripping them down to the clubiest, most mixable parts. boy! how deep are those bass & beats? perfect peak hour, decerning crowd s dancefloors! b side lurks more into the p-funk direction, with a huge classic winner, full of moog-ish bassline, female choir background voices, and deep dark male gimmicks. well, 3 more classics brought back to you by the dclassics posse

brilliant 2 track ep from straight minimal kickin techno (point final) to dubby deep tech (hand in hand)

the i want my mtv mix takes the original straight to the dancefloor with a tough and techy outing that re contextualizes the vocal and injects a robo funk vibe thats guaranteed to get the crowd moving. on the flip, as the title suggests, the lightly touched dub moves closer with the original,staking a deeper vibe and more hypnotic approach, while emphasizing the elements and drawing out the groove. already a west coast favorite on white label doc martin needed two copies! the we are not mixes of rivers are poised to make their international bow with a club approved boom dj support from doc martin, chris fortier, chris duckenfield g pal, jon sinclair, solar, kostas michalis, reticent, deko ze, andy hughes, and shylock

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

aesthetik records explores the subtle interaction of minimal structures and intrusive sound particles, playfully shapeshifting between the warm funk of todays and yesterdays techno dancefloors and the hypnotic grip on the human mind. the first release comes from belgian producer franco cangelli. allready having some slick releases on sushitech and toys for boys, his third vinyl ep üplayfully shifts between old school minimalist straight forwardness and solid experimental techno...

futuro is back with a doubledecker o fclassic detroit influenced technohouse by none other than kim rapatti aka mono junk (styrax/dum) in his melody boy 2000 disguise.when sähkö was starting to release minimal records in early 90s mono junk had allready a few years earlier made an impact in the technoscene with his original detroit techno sound. influenced by the sähkö sound, mono junk released monotone fantastique in 1994 on his dum-records label (dum-014) on a limited 12inch which has become a classic. almost 12 years later and futuro is picking this gem up from kim straight from his master dat tape. newly mastered this shit rocks!b-side features 2 new productions, a perfect way to evaluate the progression of this talented finn. sound steal er is more geared towards the dancefloor, it features deep eerie vocals and machine-alike drum programming while sient mornings is more of an early morning electro crooner